|
Concert/Dance
Choreography |
|
|
|
|
2019 |
The Witness
|
|
|
|
GroundWorks DanceTheater
Music various artists
Text by the company
Premiere Cleveland Museum of Art, Cleveland, OH
New York Premiere Gibney Dance Center |
|
2017 |
Speaking in the Same
Tongue
(work in process)
|
|
|
|
McIntyre Ensemble
Music Rod Williams, Gerald Brazel, Vincent Henry live
Developed in residencies at Baryshnikov Arts Center, NY and
Dance Place, DC
Informal presentation Dance Place, Washington, DC |
|
2017 |
Dancing Memories
|
|
|
|
Verb Ballets
Music various recording artists
Text by elders from Cleveland and Cuba
Premiere Eliza Bryant Adult Day Care, Cleveland, OH |
|
2016 |
Journey to Memory Falls
|
|
|
|
Spelman College Dance/Theatre
Ensemble Music Spelman College faculty and guest artists
live Text by the Ensemble Premiere Spelman College, Atlanta,
GA |
|
2016 |
When We Come to It |
|
|
|
St. Louis Dance Ensemble
Poem: Maya Angelou - Music: Lester Bowie
Dance St. Louis/Touhill Performing Arts Ctr. St. Louis, MO |
|
2016 |
Change |
|
|
|
Dance Theatre of Harlem
Music traditional spirituals – Spelman College Glee Club
Premiere Columbia, SC
New York premiere, NY City Center |
|
2015 |
we carry our homes with us which enables us to fly |
|
|
|
McIntyre solo Commissioned by New
York Live Arts – Bill T. Jones/Dianne McIntyre in alternate
solos Music by Marcos Balter performed by yMusic live
Premiere New York Live Arts, NYC |
|
2015 |
A Forgotten Moon-Song |
|
|
|
Philadanco
Music William Catanzaro
Premiere Kimmel Center, Philadelphia, PA |
|
2014 |
She Who Carries the Sky |
|
|
|
Solo for Roxane D’Orleans Juste of Limon
Dance Company
Music R. Carlos Nakai and nature
Premiere April 2014 Joyce Theater, NYC |
|
2014 |
Time is Time |
|
|
|
McIntyre Ensemble
Commissioned by New York Live Arts for James Baldwin
Festival
Music live piano Onaje Allan Gumbs
Premiere April 2014 NYLA, NYC |
|
2013 |
The Voice of the Blues |
|
|
|
Ohio State University dance students
Music – Traditional
Premiere November 2013 Capitol Theatre, Columbus, OH |
|
2012 |
Life’s Force 2012 |
|
|
|
McIntyre 40th Anniversary
Company of Sounds in Motion
Music Ahmed Abdullah and Ensemble
American Dance Guild Festival
September, 2012 Alvin Ailey Citicorps Theater, NYC |
|
2012 |
A Son is Given |
|
|
|
Co-choreographer and consultant
Music Myron Davis – Producer New Community Bible Fellowship
Premiere December, 2012 Hanna Theatre – Cleveland, OH |
|
2012 |
why I had to dance |
|
|
|
McIntyre ensemble
Ntozake Shange Choreopoem
Premiere Oberlin College and PlayhouseSquare – February 2012 |
|
2012 |
Unexpected Journeys |
|
|
|
Oberlin theatre students
Writers – the students; director Caroline Jackson Smith
Premiere Oberlin College and PlayhouseSquare – February 2012 |
|
2011 |
The Nina Simone Project |
|
|
|
Dallas Black Dance Theatre
Music – Nina Simone
Premiere – Spring 2011, Dallas, TX |
|
2011 |
Dancing on a Dream |
|
|
|
Dancing Wheels
Music various artists plus Gloria Gaynor (live)
Premiere – Spring 2011, Cleveland, OH |
|
2011 |
The Summit |
|
|
|
University of Michigan student dancers
and musicians
Live music – Bo Diddley, Eric Dolphy, Dizzy Gillespie
Premiere February 2011, Ann Arbor, MI |
|
2011 |
Up the Road a-Piece |
|
|
|
Eleone Dance Theatre
Premiere May 2011, Philadelphia, PA |
|
2010 |
Just Yesterday |
|
|
|
GroundWorks Dance Theatre
Music – Olu Dara
Premiere – February 2010 Breen Theatre, Cleveland OH |
|
2010 |
The Best Location |
|
|
|
Collaborators: Johnny Coleman,
installation artist and Bernard Matambo, writer
August, 2010 at The Sculpture Center, Cleveland, OH |
|
2009 |
If you don’t know… |
|
|
|
McIntyre solo for Fly: Five First
Ladies of Dance
651 Arts Brooklyn,
Premiere May 30, 2009 |
|
2009 |
Sweet Radio Radicals |
|
|
|
Dancing Wheels
Music – Various female artists of 20th century
Premiere May 2009 |
|
2009 |
Three Inner Thoughts |
|
|
|
Music - Natalie Gilbert, recorded
Poetry - Ntozake Shange
Cleveland State University student |
|
2009 |
All You Ever Wanted |
|
|
|
Music - The Black Keys, recorded
Akron Firestone High School students |
|
2008 |
Boundless Journey |
|
|
|
Dallas Black Dance Theatre
Music – Traditional Spirituals |
|
2008 |
Club! |
|
|
|
Music live – JJ Kaufman, Greg Ketchum,
Khalid Saleem
College at Brockport SUNY students |
|
2007 |
Pieces of Pieces |
|
|
|
Music Olu Dara
Premiere – Schomburg Center – New York, NY |
|
2007 |
Front Porch Lies |
|
|
|
Oberlin College students |
|
2006 |
Lyric Fire |
|
|
|
Dayton Contemporary Dance Company
Poems – Paul Laurence Dunbar |
|
2005 |
Daughter of a
Buffalo Soldier |
|
|
|
Cleveland
Contemporary Dance Theatre |
|
2003 |
Black and White on
Brown |
|
|
|
University of
Illinois students |
|
2001 |
Spiral Dance |
|
|
|
Music - Walker Jones
Premiere - South Fallsburg, NY |
|
1999 |
Invincible Flower |
|
|
|
Music - Lester Bowie (1998-99)
Premiere - Jacobs Pillow, Walker Arts Center |
|
1998 |
Song |
|
|
|
Music - Sweet Honey in the Rock
Premiere - Carnegie Hall, New York City |
|
1997 |
A Brand New People
on the Planet |
|
|
|
Music - Olu Dara
Premiere - New York City - Aaron Davis Hall |
|
1996 |
Too Much In Love |
|
|
|
For Cleo Parker Robinson Dance Company
Music - Denver live ensemble |
|
1994 |
Susanna Jones |
|
|
|
Music - Olu Dara
Text - Langston Hughes
Premiere - 29 July, Opening Ceremony, National Black Arts
Festival, Atlanta, GA |
|
|
Wade in the Water |
|
|
|
Music - Sweet Honey
in the Rock
Premiere - 29 July, Opening Ceremony, National Black Arts
Festival, Atlanta, GA |
|
1993 |
Red Dance |
|
|
|
Music - Olu Dara
Premiere - May, Memphis State University, Memphis, TN |
|
|
Selected Gems |
|
|
|
Text and vocal sound score - dancers
Accompaniment - Susan Chess
Premiere - March, Ohio State University, Columbus, OH |
|
|
Set Me As A Seal
Upon Thine Heart |
|
|
|
Music - Olu Dara
Premiere - October, Dance Theater Workshop, New York City |
|
|
Why I Sing the
Blues |
|
|
|
Music - Olu Dara
Premiere - October, Dance Theater Workshop, New York City |
|
1992 |
Love Poems to God |
|
|
|
Music and poetry - Hannibal Lokumbe
Premiere - 8 June, Schomburg Center for Research in Black
Culture, New York City |
|
1991 |
Blues On Top O'
Blues
Work Holler Blues
The Lullaby Blues
Bettie's New Blue Dress Blues
From Time to Time Blues
Blues On Top O' Blues |
|
|
|
Music - Olu Dara
Premiere - June, Center Stage Theater, Atlanta, GA |
|
|
How Long Brethren? |
|
|
|
Original choreography by Helen Tamiris (1937)
Re-created by McIntyre for Federal Theater Festival
Music - Amina Claudine Myers
Premiere - May, George Mason University, Fairfax, VA |
|
1989 |
From Natchez to
New York |
|
|
|
Music - Olu Dara
Premiere - Fall, Winter Garden, World Financial Center, New
York City |
|
|
Jump Over the Moon
Ecstasy
Blue Haze
Summer Dances
Wildflower on a Precipice |
|
|
|
Music - Don Pullen
Premiere - Fall, Winter Garden, World Financial Center, New
York City |
|
|
Poem in White
Light |
|
|
|
Accompaniment - Nature sounds
Premiere - Cornell University, Ithaca, NY |
|
1988 |
Boogie in Bop Time |
|
|
|
Music - Mary Lou Williams
Premiere - December, Williams College, Williamstown, MA |
|
|
Circle of Soul |
|
|
|
Music - Olu Dara
Premiere - 8 July, Central Park, New York City |
|
|
The Coming of
Eagles |
|
|
|
Vocal accompaniment - Gwendolyn Nelson-Fleming and Avery Brooks
Premiere - Harlem Urban Development Council |
|
|
In Living Color |
|
|
|
Music - Olu Dara and Traditional
Premiere - October, War Memorial Building, Trenton, NJ |
|
|
Kingsmen |
|
|
|
Music - Duke Ellington
Premiere - 5 May, Sounds In Motion Studio, Harlem, NY |
|
|
Running, Running |
|
|
|
Music - Lawrence D. (Butch) Morris
Premiere - 5 May, Sounds In Motion Studio, Harlem, NY |
|
1987 |
Ancient to the
Future |
|
|
|
Music - Art Ensemble of Chicago
Premiere - July, Paris |
|
|
Gratitude |
|
|
|
Music - Don Pullen
Premiere - New York City Hospital Authority |
|
1986 |
Sigh of the Rock |
|
|
|
Music - 1950s rock and roll
Premiere - 10 January, Joyce Theater, New York City |
|
|
Their Eyes Were Watching God (A Dance Adventure in
Southern Blues) |
|
|
|
Music - Olu Dara and Lawrence D. (Butch) Morris
Premiere - 25 June, j.a.m., New York City |
|
1985 |
Fragment |
|
|
|
Music - Olu Dara
Premiere - Philadelphia, PA |
|
|
The Queen's Suite |
|
|
|
Music - Duke Ellington
Premiere - May, Aaron Davis Hall, City College, New York
City |
|
1984 |
Mississippi Talks,
Ohio Walks |
|
|
|
Music - Olu Dara
Premiere - August, Damrosch Park, Lincoln Center, New York
City |
|
|
Take-Off From a
Forced Landing |
|
|
|
Music - Lawrence D. (Butch) Morris and Nat King Cole
Premiere - 19 June, Joyce Theater, New York City |
|
1983 |
Eubie Blake Suite
Valse Marion
You're Lucky to Me
Eubie Dubie |
|
|
|
Music - Eubie Blake
Premiere - February, Symphony Space, New York City |
|
|
We Are Americans
Too |
|
|
|
Music - Eubie Blake
Premiere - February, Symphony Space, New York City |
|
|
Blue Thoughts |
|
|
|
Music - Eubie Blake
Premiere - February, Symphony Space, New York City |
|
|
Children of the Air |
|
|
|
Music - Cecil Taylor
Premiere - March, London |
|
|
Fat's Boogie |
|
|
|
Music - Fats Domino
Premiere - Dancemobile production, New York City |
|
|
Flashback |
|
|
|
Music - Anthony Davis
Premiere - June, Small's Paradise, New York City |
|
|
Harlem Night Song |
|
|
|
Music - Craig Harris
Premiere - 8 May, Museum of the City of New York |
|
1982 |
Eye of the
Crocodile |
|
|
|
Music - Cecil Taylor
Premiere - 27 May, Judson Memorial Church, NewYork City |
|
1981 |
Duo |
|
|
|
Music - Charli Persip
Premiere - June, Symphony Space, New York City |
|
|
Etude in Free |
|
|
|
Sound - Dianne McIntyre
Premiere - March, Sullivan Hall, Ohio State University,
Columbus, OH |
|
|
It Has Not Always
Been This Way |
|
|
|
Music - Amina Claudine Myers
Poetry - Ntozake Shange
Premiere - June, Symphony Space, New York City |
|
|
Just A Myth |
|
|
|
Music - Various recorded
Premiere - By Karamu Dancers, Cleveland, OH
Sounds In Motion premiere - June, Symphony Space, New York
City |
|
|
Liquid Magic |
|
|
|
Music - Ahmed Abdullah
Premiere - June, Symphony Space, New York City |
|
|
No Wonder |
|
|
|
Music - Recorded rhythm and blues
Text - Toni Morrison
Premiere - By Sounds In Motion students at Sounds In Motion
Studio, Harlem, NY |
|
1980 |
100% Cotton |
|
|
|
Music and poetry - Oliver Lake
Premiere - 13 June, Symphony Space, New York City |
|
|
I've Known Rivers |
|
|
|
Music - Gary Bartz
Premiere - 13 June, Symphony Space, New York City |
|
|
Suite Music |
|
|
|
Music - Hamiet Bluiett
Premiere - 14 June, Symphony Space, New York City |
|
|
Triptych
Prayer
Protest
Peace |
|
|
|
Music - Max Roach
Premiere - 13 June, Symphony Space, New York City |
|
1979 |
Last Days of the
Down Home Boogies |
|
|
|
Music - Memphis Jug Band and Washboard Rhythm Kings
Premiere - By Atlanta University Center Dancers, Read Hall,
Spelman College, Atlanta, GA
Sounds In Motion premiere - 8 June, Henry Street Settlement
Playhouse, New York City |
|
|
Life's Force |
|
|
|
Music - Ahmed Abdullah
Premiere - Carver Center, San Antonio, TX |
|
1977 |
Ancestral Voices |
|
|
|
Music - Cecil Taylor
Premiere - February, by Alvin Ailey American Dance Theater,
University of California at Berkeley, San Francisco |
|
|
Journey to Forever |
|
|
|
Music - Ahmed Abdullah
Premiere - 29 May, Brooklyn Academy of Music, Brooklyn, NY |
|
|
Tangent Forces |
|
|
|
Music - Doug Hammond
Premiere - 26 October, Entermedia Theatre, New York City |
|
1976 |
Deep South Suite
Magnolias Just Dripping with Molasses
Hearsay
There Was Nobody Looking
Happy Go Lucky Local |
|
|
|
Music - Duke Ellington
Premiere - May, by Alvin Ailey Repertory Company, Theatre of
the Riverside Church, New York |
|
|
Etude For Moving
Sounds |
|
|
|
Music - Babafumi
Akunyun and Hank Johnson |
|
|
Piano Peace
Moon Song
A Silent Tear |
|
|
|
Music - Mary Lou Williams, Art Tatum, and McCoy Tyner
First performed (in-progress) 23 January, Henry Street
Settlement Playhouse, New York |
|
|
Going Home |
|
|
|
Music - Paul Robeson
Premiere - 18 June, Marymount Manhattan Theatre, New York
City
(from Tribute to Paul Robeson) |
|
|
The Voyage |
|
|
|
Music - Traditional slave songs
First performed (in-progress) 29 March, La Mama Annex, New
York City |
|
1975 |
Memories
With Hopes
With Despair
With Love |
|
|
|
Music - Eubie Blake and Noble Sissle
Premiere - January, Henry Street Settlement Playhouse, New
York City |
|
|
Shadows |
|
|
|
Music - Cecil Taylor
Premiere - 3 November, Majestic Theatre, New York City (from
Tribute to Syvilla Fort) |
|
|
Up North, 1881 |
|
|
|
Music - Louisiana State Prisoners, Rev. Gary Davis, Alabama
Sacred Harp Singers, and Fred McDowell
Premiere - 29 May, by New York High School of the Performing
Arts, High School of Printing Auditorium, New York City |
|
1974 |
Dead Center |
|
|
|
Music - Hank Johnson
Premiere - New Lafayette Theater, New York City |
|
|
Free Voices |
|
|
|
Vocal Accompaniment - Gwendolyn Nelson
Premiere - Lincoln Center Out-of-Doors |
|
|
Union (Union
For the Streets) |
|
|
|
Music - Steve Solder and Roe Rigby
Poetry - Margaret Walker, Langston Hughes
Premiere - New Lafayette Theater, New York City |
|
1973 |
The Lost Sun |
|
|
|
Music - Gene Casey
Premiere - 27 January, Clark Center, New York City |
|
1972 |
For Four Voices |
|
|
|
Music - Arthur Williams
Premiere - 27 March, Cubiculo Theatre, New York City |
|
|
A Free Thing I |
|
|
|
Premiere - 27
March, Cubiculo Theatre, New York City |
|
|
A Free Thing II |
|
|
|
Music - Joe Falcon, Aiye Niwaju, Stephen Reid, and Joe Rigby
Premiere - 18 June, Washington Square Methodist Church, New
York City |
|
|
Long Gones |
|
|
|
Music - Memphis Jug Band, Bessie Smith, and Dixie Land Jug Blowers
Premiere - August, Long Island, New York |
|
|
Poem: A Collage |
|
|
|
Music - Frank Dawson, Aiye Niwaju, and Joe Rigby
Poetry - Ed Bullins, Langston Hughes, Norman Jordan, Mari
Evans, James Emmanuel, Clarence Reed, Margaret Walker, and
Fatish Verano
Premiere - 18 June, Washington Square Methodist Church, New
York |
|
|
Smoke and Clouds |
|
|
|
Music - Traditional, Shirley and Lee, Huey Smith and The
Jacks, and Will Crittendon
Premiere - 27 March, Cubiculo Theatre, New York City |
|
|
For Four Voices |
|
|
|
Music - Anthony Wiles, Arthur Williams,
Premiere - 27 March, Cubiculo Theatre, New York City |
|
1971 |
Melting Song |
|
|
|
McIntyre solo,
Premiere - 6 June, Clark Center, New York City |
|
|
|
back to top |
|
|
|
THEATRE CHOREOGRAPHY |
|
2019 |
Porgy and Bess |
|
|
|
Conducted by James Gaffigan
Directed by James Robinson
Dutch National Opera, Amsterdam, NL |
|
2018 |
Porgy and Bess |
|
|
|
Conducted by John Wilson
Directed by James Robinson
English National Opera, London UK |
|
2018 |
Crowns |
|
|
|
Written and directed by Regina Taylor
Assistant choreographer Nikeshia Kelly
Long Wharf Theatre, Hartford, CT |
|
2018 |
Crowns |
|
|
|
Written and directed by Regina Taylor
Assistant choreographer Nikeshia Kelly
McCarter Theatre, Princeton, NJ |
|
2015 |
lost in language and sound |
|
|
|
Written by Ntozake Shange
Directed by Rhodessa Jones
Produced by 651 Arts
Work-in-progress at Karamu’s Jelliffe Theatre, Cleveland, OH |
|
2014 |
lost in language and sound |
|
|
|
Written by Ntozake Shange
Directed by Rhodessa Jones
Produced by 651 Arts
Work-in-progress at Kumble Theater, Brooklyn, NY |
|
2012 |
Crowns |
|
|
|
Written and directed
by Regina Taylor
Goodman Theatre, Chicago |
|
2012 |
Why I Had to Dance |
|
|
|
Written by Ntozake
Shange
Directed and choreographed by Dianne McIntye
Oberlin College and PlayhouseSquare, Cleveland |
|
2012 |
Unexpected
Journeys |
|
|
|
Written by Oberlin
students
Directed by Caroline Jackson Smith
Oberlin College and PlayhouseSquare, Cleveland |
|
2010 |
Closure |
|
|
|
Written by Mary Weems
Directed by Terrence Spivey
Karamu Theatre, Cleveland |
|
2009 |
Joe Turner’s Come and Gone |
|
|
|
Written by August Wilson
Directed by Barlett Sher
Lincoln Center Theater on Broadway/Belasco Theatre |
|
2008 |
Peaches,
Plums and Pontifications |
|
|
|
Created by Dianne McIntyre and Olu Dara
651 Arts at BRICstudio, Brooklyn workshop |
|
2007 |
It hasn’t always been this way |
|
|
|
Written by Ntozake Shange (1981 and 2006)
Directed and choreographed by Dianne McIntyre
New Federal Theatre, New York City;
National Black Theater Festival, Winston-Salem, NC |
|
2005 |
Crowns |
|
|
|
Written and directed by Regina Taylor
Dallas Theater Center |
|
2005 |
Open the Door,
Virginia! |
|
|
|
Written and directed by Dianne McIntyre
Produce at Theater of the First Amendment, Fairfax, VA |
|
2003-04 |
Crowns |
|
|
|
Written and directed by Regina Taylor
Alliance, Arena Stage, Goodman, Hartford Stage |
|
2004 |
Crowns |
|
|
|
Directed and choreographed by Dianne McIntyre
Produced at Cleveland Play House |
|
2002, 04 |
Polk County |
|
|
|
Written by Zora Neale Hurston
Directed by Kyle Donnelly
ArenaStage, McCarter Theatre and Berkeley Rep |
|
2003 |
Home, the Musical |
|
|
|
Written by Samm Art-Williams
Directed by Ron Himes
St. Louis Black Repertory Company |
|
2000-2001 |
King Hedley II |
|
|
|
Written by August Wilson
Directed by Marion McClinton
Huntington, Mark Taper, Goodman, Kennedy Center, and
Broadway |
|
2000 |
Treemonisha |
|
|
|
Opera Theatre of Saint Louis
Music - Scott Joplin
Directed by Rhoda Levine |
|
1999 |
Death and the
King's Horseman |
|
|
|
Written by Wole Soyinka
Directed by Marion McClinton
Syracuse Stage |
|
1999 |
I Could Stop on a
Dime and Get Ten Cents Change |
|
|
|
Director and Choreographer, Creator
Baltimore, CenterStage |
|
1998 |
I Could Stop on a Dime and Get Ten Cents Change |
|
|
|
Director and Choreographer, Creator
Cleveland Play House |
|
1998 |
Blues Rooms |
|
|
|
Theater of the First Amendment
Director and Choreographer
Music - Olu Dara |
|
1996 |
The Darker Face of
the Earth |
|
|
|
Written by Rita Dove
Directed by Rick Khan
Crossroads Theatre, NJ and Kennedy Center |
|
1996 |
The Darker Face of
the Earth |
|
|
|
Written by Rita Dove
Directed by Rick Khan
Oregon Shakespeare Festival |
|
1995 |
I Could Stop
on a Dime and Get Ten Cents Change |
|
|
|
Director and Choreographer, Creator
Theater of the First Amendment |
|
1993, 94 |
In Living Color: A
Gullah Story |
|
|
|
Directed and Choreographed, and Co-Conceived
Written by OyamO, Music by Olu Dara
New Dramatists and Theater of the First Amendment |
|
1994 |
What Use Are
Flowers? |
|
|
|
Written by Lorraine Hansberry
Crossroads Theatre at the National Black Arts Festival
|
|
1994 |
The People Could
Fly and Still Do |
|
|
|
Produced at Apollo Theatre, New York City
Produced and directed by Phylicia Rashad |
|
1994 |
The Cherry Orchard |
|
|
|
Produced at Center Stage, Baltimore
Directed by Irene Lewis |
|
1994 |
Othello |
|
|
|
Produced at Center Stage, Baltimore
Directed by Irene Lewis |
|
1993 |
Pericles |
|
|
|
Produced at Center Stage, Baltimore
Directed by Irene Lewis |
|
1991 |
Black Orpheus |
|
|
|
Produced at Crossroads Theatre, New Brunswick, NJ
Directed by Rick Khan
Written by OyamO |
|
1991 |
Mule Bone |
|
|
|
Written by Zora Neale Hurston and Langston Hughes
Music by Taj Mahal, Directed by Michael Schwarz
Produced by Lincoln Center at Broadway’s Barrymore Theatre |
|
1990 |
King, The Musical |
|
|
|
Music by Richard Blackford, Lyrics by Maya Angelou
Written by Ron Milner, Richard Nelson, Lonne Elder III
Directed by Graham Vick, Clarke Peters, John Caird
Produced in London’s West End, Piccadilly Theatre |
|
1990 |
In Dahomey |
|
|
|
Re-written by Shauneille Perry
Directed and Choreographed
Produced by Karamu Theatre, Cleveland |
|
1989 |
Miss Evers' Boys |
|
|
|
Produced at Center Stage and Mark Taper Forum
Directed by Irene Lewis |
|
1988 |
80 Days |
|
|
|
LaJolla Playhouse, CA
Music by Ray Davies
Directed by Des McAnuff |
|
1987 |
God's Trombones |
|
|
|
Produced at Schubert Theatre, Philadelphia, PA
Directed by Woodie King |
|
1986 |
Black Girl |
|
|
|
Directed by Glenda Dickerson
Second Stage, New York City |
|
1986 |
Shout Up a Morning |
|
|
|
Directed by Des McAnuff,
Music by Nat and Cannonball Adderley
Produced at La Jolla Playhouse, La Jolla, CA |
|
1986 |
A Tale of Madame
Zora |
|
|
|
By Aishah Rahman, Directed by Glenda Dickerson, Music by Olu
Dara
Ensemble Studio Theatre, NYC |
|
1986 |
Riding the Moon in
Texas |
|
|
|
Written by Ntozake Shange
Houston performing arts center |
|
1985 |
Mama Bett |
|
|
|
Directing debut by Dianne McIntyre (Actor, Mary Alice)
Public Theatre workshop, New York City |
|
1983 |
Adam |
|
|
|
Produced at Henry Street Settlement Playhouse, New Federal,
NYC
Life of Adam Clayton Powell, Jr. |
|
1982 |
The Last Minstrel
Show |
|
|
|
Directed by Avery Brooks
Produced at Rutgers University |
|
1982 |
Mouths |
|
|
|
Written by Ntozake Shange
Produced at The Kitchen, New York City |
|
1981-present |
Paul Robeson |
|
|
|
Produced at Crossroads Theatre, national theatres and on
Broadway
Avery Brooks as Paul
Robeson |
|
1980 |
Take Me Along |
|
|
|
Directed by Geraldine Fitzgerald
Produced at Triplex Theatre, Borough of Manhattan Community
College |
|
1980 |
Boogie Woogie
Landscapes |
|
|
|
Written by Ntozake Shange
Directed by Avery Brooks
Kennedy Center, Washington, DC |
|
1979 |
Be-Bop |
|
|
|
Original music from bebop era by Dizzy Gillespie, John Hendricks, Charlie Parker
and others
Produced at Wonderhorse Theatre, Off-Broadway, NYC |
|
1979 |
Spell #7 |
|
|
|
Written by Ntozake Shange
Directed by Oz Scott
Music by Lawrence (Butch) Morris and David Murray
NY Public Theater, Joseph Papp, Producer |
|
1974 and 1977 |
The Great MacDaddy |
|
|
|
Written by Paul Carter Harrison
Directed by Douglas Turner Ward
Music by Coleridge-Taylor Perkinson
Produced by The Negro Ensemble Company, Off-Broadway |
|
|
back to top |
|
FILM CHOREOGRAPHY |
|
|
|
2019 |
Nothing Even Matters |
|
|
|
McIntyre solo
Song written and sung by Lauryn Hill featuring D’Angelo
Film produced by Lauryn Hill as an element for her tour
Brooklyn, NY |
|
2017 |
Hal King |
|
|
|
Producer/creator/composer Steve Wallace
Director Myron Davis
Various writers include Dominique Morisseau
Filmed in Cleveland and New York
A yet-to-be released opera drama |
|
|
Beloved |
|
|
|
Harpo/Disney
Directed by Jonathan Demme |
|
|
Fun Size |
|
|
|
Paramount
Directed by Josh Schwartz |
|
|
back to top |
|
TELEVISION CHOREOGRAPHY |
|
|
|
|
Miss Evers' Boys |
|
|
|
HBO
Directed by Joe Sargent |
|
|
for colored
girls who have considered suicide when the rainbow is enuf
PBS |
|
|
|
Directed by Oz Scott |
|
|
Langston Hughes:
The Dreamkeeper PBS |
|
|
|
Directed by St. Clair
Bourne |
|
|
The First
Day of School (from Up North, 1881), for NBC's
Violence in America |
|
|
|
|
|
|
Women of Regent
Hotel WNBC |
|
|
|
Directed by Woodie
King, Jr. |
|
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back to top |
|
THEATRE and
TELEVISION AWARDS |
|
|
|
|
AUDELCO Award for
Choreography, Spell #7
AUDELCO Special
Recognition Pioneer Award |
|
|
|
|
|
|
Helen Hayes Award for
Choreography, In Living Color: A Gullah Story |
|
|
|
|
|
|
Helen Hayes Nominations for Choreography
·
I
Could Stop on a Dime and Get Ten Cents Change
·
Crowns
Helen Hayes Charles MacArthur Award Nominations for
Outstanding New Play or Musical
·
I
Could Stop on a Dime and Get Ten Cents Change
·
Open
the Door, Virginia! |
|
|
|
|
|
|
WOODIIE Award for
Lifetime Achievement (St. Louis Black Rep) |
|
|
|
|
|
|
Emmy Award Nomination
for Choreography, Miss Evers’ Boys |
|
|
|
back to top |
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